 Reelight Pro 版本1.0.5 磁带饱和和压缩处理器 Reelight Pro是一个磁带饱和度插件，具有许多功能，可让您获得真实的磁带氛围以及与磁带相关的一些理想工件。 该插件真实地模拟磁带饱和度/压缩率，总体声音和氛围。我们为您带来2种速度的6台磁带机，以及不同级别的采样和建模，以获取迄今为止最真实的声音！ 什么是Reelight Pro？ 数字录音的发明以多种方式解放了声音工程师，这在模拟时代是不可能的。即使所有工具触手可及，音乐家和工程师也非常想念早期录音的声音和超音速。 记录媒体默认所赋予的魔力，而我们所有人都认为这是理所当然的。 Reelight Pro是一个插件，旨在以不同的速度和级别带回一种声音，而不是一种真实的磁带声音，而是6种寻求的磁带机，使我们更接近磁带的“卷轴”声音。 使用此插件，您还可以访问所需的参数，例如磁带速度，偏置，输入饱和度，串扰，甚至是由磁带作为单独控件施加的压缩！该插件附带许多预设，旨在帮助您入门或从头开始设计自己的预设！ 先进的动态红外 除了DSP建模之外，我们还开发了先进的动态IR（脉冲响应）系统，可帮助我们获得前所未有的磁带机真实声音。 磁滞处理以及出色的解析器可帮助我们实现“哇”的效果！ 特征 I / O部分： 输入增益将电平设置为从-24dB到+ 24dB，中心为0 dB。此控制的作用方式与模拟磁带录音机相同，您所获得的增益越大，磁带被声音击打的难度就越大，从而创建出正确的声音。响应在饱和度和压缩方面是可听见的。 锁定功能使用户可以通过自动增益补偿来增加输入增益，以增加输出电平。 输出增益将输出电平设置为从-24dB到+ 24dB，中心为0 dB， 过滤器 该插件具有一组12 dB / oct（20Hz至20 kHz）的高通和低通滤波器，采用模拟设计方案来产生自然声音。它们是前置滤波器，会影响磁带算法之前的声音。 胶带机选择器 这些标记为AF的选择器，使用户可以选择不同的磁带型号 速度，偏置，补偿，交叉通话 速度： 选择每台磁带机提供的慢速或快速速度。这些速度从3 1/2 ips到30 ips不等，具体取决于所选的机器。 BIAS：此控件使您可以调整所选机器的Bias（偏置），并在输入增益饱和之外创建理想的饱和效果。 COMP：像压缩器一样控制声音的包络线，使用户可以模拟磁带的“压缩”特性。效果是微妙的但很明显。 交叉说话：多轨磁带机的伪像是“ Tape Bleed”或信号流失，而相邻磁道上的信号也相互录制，从而产生了单空间效果。您可以调整此参数所需的量。 过采样 我们可以选择2x-8x过采样，具体取决于您的CPU能力和计算机资源，这有助于“平滑”声音，甚至更接近模拟带宽。  Reelight Pro Build 1.0.5 Tape Saturation and Compression Processor Reelight Pro is a tape saturation plugin with many features for getting an authentic tape vibe and also some of the desirable artifacts associated with tape. The plugin authentically emulates tape saturation/compression, overall sound, and vibe. We bring you 6 tape machines at 2 speeds and various levels of sampling and modeling to get the most authentic sound possible to date! What’s Reelight Pro ? The invention of digital audio recordings liberated sound engineers in many ways which were not possible in the analog era. Even with all the tools at one’s fingertips, musicians and engineers sorely missed the sound and sonics of earlier recordings. The magic that the recording mediums imparted by default and one which we all took for granted. Reelight Pro is a plugin designed to bring back the authentic tape sounds of not one, but 6 different sought Tape Machines at different speeds and levels to bring us even closer to the “reel” sound of tape. With this plugin, you also get access to desirable parameters such as tape speed, bias, input saturation, crosstalk, and even the compression imparted by tape as separate controls! The plugin comes with a lot of presets designed to help to get you started, or design your own from scratch! Advanced Dynamic IR Advanced Dynamic IR (Impulse Response) systems that we have developed in addition to DSP modeling, help us achieve the authentic sound of tape machines like never before. Hysteresis Processing along with a great sounding resolver, help us achieve the “wow” factor! Features I/O Section: The Input Gain sets levels from -24dB to +24dB with 0 dB in the center, This control acts in the same way as on analog tape recorders, the more gain you increasing, the harder the tape is hit with sound, and create the correct response audible in terms of saturation and compression. The Lock feature lets a user increase input gain with an automatic gain compensation for an increase in levels in the output. The Output Gain sets output levels from -24dB to +24dB with 0 dB in the center, FILTERS This plugin features a set of 12 dB/ oct (20Hz to 20 kHz)High Pass and Low Pass Filters using an analog design scheme for a natural sound. These are Pre-Filters, and affect the sound before the tape algorithms. TAPE MACHINE SELECTOR These selectors labelled A-F , let the user select the different Tape Models SPEED, BIAS, COMP, CROSSTALK SPEED: Select Slow or Fast speeds offered per tape machine.. these vary from 3 1/2 ips to 30 ips depending on the machine selected. BIAS: This control lets you adjust the Bias of the machine selected and creates a desirable saturation effect in addition to Input Gain Saturation. COMP: This controls the envelope of the sound like a compressor, allowing the user to emulate the “compression” characteristics of tape. The effect is subtle but noticeable. CROSSTALK: An artifact of multitrack tape machines was “Tape Bleed” or signal bleed, whereas the signal on adjacent tracks also record additionally on each other.. creates a mono-spatial effect. You can adjust the amount desired for this parameter. OVERSAMPLING We have the option of 2x-8x oversampling, depending on your cpu power and computer resources, this helps “smooth” the sound and sound even closer to the analog bandwidth. home.php?mod=space&uid=1&do=blog&id=3480 |
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